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Showing posts with label hotels. Show all posts
Showing posts with label hotels. Show all posts

Sunday, August 14, 2011

Whatever/Whenever - The W brand

There's beach balls in the swimming pool, condoms in the mini-bar and a concierge service that promises to bring you "Whatever, Whenever" - the W Hotel really is a home away from home for the Executive Hipster. Working abroad in San Francisco means I occasionally have the good fortune (and good budgets) to stay there and they are true to their word. I once ordered fried chicken, hair straighteners and the original manuscript of The Rum Diary, and they had it to my door in under ten. Ok, maybe not the manuscript, but they're pretty bloody on it.

Aside from all the frills and fluff, The W makes for an interesting case study. They seem to have embraced the scope of a hotel brand, to truly "own" each touchpoint a guest (or potential guest) might encounter. The scent in the lifts, the textures of the soft furnishings, the music in the bar, even their own fashion magazine all add up to a 360 degree brand world which somehow makes sending work email from bed feel cool.




Two elements really stand out for me. First, is the genius copywriting found throughout your stay. The messaging acts as a written extension of their service offer - a little note under your water glass says "Why not?", their in-room massage is described as "In, Aah, and Out", and their porters wear t-shirts with "Ask me what's next" written on the back. Without sounding sycophantic, it's these tiny little moments which somehow transform what can be an isolating experience into a conversation. You may be alone in strange city, but someone's looking out for you. "Who wants eggs?" asks the in-room dining card. I do please!



The second element is their pairing with Bliss salons. Bliss was "the" spa and beauty product brand post-Millenium. With its soft blue packaging and charming product naming such as "FatGirl Slim", it was one of the quintessential touchy-feely brands to take us out of the minimalist 90's along with Innocent Smoothies and Carluccios. Today, Bliss is no Aesop, but its comfort clinical (comflinical?) tone puts you at ease, whilst somehow justifying a $200 massage. Bliss products are in all W bathrooms, and are often found in spa form down in the basement. Their similar messaging style and "I deserve it" clientele, make W and Bliss firm friends and a great example of a successful brand collaboration.



Working in branding it can sometimes be hard sit back and just enjoy a good brand at work, but The W is one I am always more than happy to let get on with it. Sometimes it's seeing the smoke and mirrors behind the magic which makes it all so much more impressive.

Saturday, March 26, 2011

The Art of Hotel Living

In art, literature, film and personalities I've always been drawn to doomed decadence. To me, the journey from having it all to having nothing is fascinating. Whether that "all" is money or talent or social standing, I am gripped by people's ability to waste it all in the most dramatic way.



Caravaggio's astounding painting and genius for capturing light was all set against an infamous backdrop of dead prostitutes, brawling and, eventually, exile. Gatsby had everything he wanted except the flashing green light at the end of East Egg where Daisy lived. The Tenenbaum children were prodigies, making them all flawed and flailing adults, unable to cope in the real, chaotic world. And Edie Sedgwick, raised riding horses in the bosom of a large, wealthy family wound up cast out of Warhol's Factory addicted to drugs and dead at 28.

Deviance, decadence, escapism, denial - these base and torturous human behaviours often manifest themselves in one particular place. A hotel. Since the invention of maid service, room service and the mini-bar, checking out of your life and into a hotel has firmly represented that all is not - or is about to be not - well. A person's state of mind must be considerably altered to find solice in arming oneself with just the bare essentials and take up residence in a hotel.



The Chelsea in New York has a long history of writers and artists in residence. Jack Kerouac wrote much of 'On the Road' there. Dennis Hopper met the man who would eventually produce 'Easy Rider' there. And Leonard Cohen wrote a song about it. More recently, The Chateau Marmont, temporary home to Hollywood's runaways, featured as the third character in Sofia Coppola's "Somewhere". The audience quickly learned everything they needed to know about Johnny's character by his disconnected existence at the Hollywood hotel.



My friend Rosanna told me about Patti Smith's autobiography. Rosanna felt that Patti's stay at The Chelsea was more about looking cool than realising that people in hotels often produce great work because they are alone, lonely and without distractions. My friend went on to explain how she believed that "living in an impersonal space makes you want to create things that defines who you are, and express yourself".

As I enter my third week in a hotel, Rosanna's words resonated strongly. With the clothes in the wardrobe the only link to my real life, to myself even, I recognise the desire to define myself through creating things. Hence why this is one of the longer blog posts.



The Shakespeare & Co. bookshop in Paris embraces the traveller's need to create themselves out of a rut. As you roam the Narnia-esque bookshop, tiny enclaves holding typewriters and rudimentary bunks appear through the gloaming. Artists and writers passing through are welcome to a bed for the night so they can gather their thoughts and, possibly, their minds.



Bur perhaps my favourite study of hotel living is Wes Anderson's prologue to The Darjeeling Limited - 'Hotel Chevalier'. Natalie Portman's character tracks down Jason Schwartzman ordering grilled cheese in a Paris hotel room.

Portman: How long have you had this hotel room?
Schwartzman: I don't know.
Portman: More than a week?
Schwartzman: More than a week.
Portman: More than a month?
Schwartzman: More than a month.

Hotel Chevalier is the perfect capture not only of decayed love, but of the cathartic aloneness one finds at the other end of the world in a hotel bathrobe.



All photos by me, except the typewriter which I stole from here
http://www.flickr.com/photos/deanno/3703658172/sizes/m/